Adapted from Herman Bond's novel "Mikael", "Vingarne" is a silent plotline that tells the story of an artist's love for his newly discovered male model. Fundamentally, this movie begins with a sensory photograph of director Stiller and his photographer encountering Icarus in a garden in Stockholm. Then the movie officially began, and artist Claude Zorett fell in love at first sight with young Mikael in the woods; He adopted Mikael, who was the inspiration for his latest sculpture. When Mikael began to plead with Zorett's patron, the reckless Lady Lucia, his wings were inevitably burnt; Zorett suffered from Mikel's abandonment and died by the side of a naked boy in a fierce storm. Watching Vingarne 75 years after its production is an extraordinary experience. People can easily fall into the fragmented narrative and follow the story too hard instead of giving up its initial hints. Therefore, there are some techniques that can utilize this intention: first, remember that novelist Bang and director Stiller are both gay. Secondly, it is interesting to compare the movie "Vingarne" with the same novel by Carl Dreyer (also known as "Mikael"). Many very emotional scenes in Drell's films were foreshadowed in the first version. Finally, the most shocking - and brief - aspect of Vingarne is the filming installation and the cinematic philosophy in the film. Faced with his extraordinary arrogance, we can only imagine the feeling of the original work # # starting from http://www.gay.com/entertainment/movies/reviews/?733